Phoenix Tattoo: Design Process
This story begins with the most random of meetings.
A friend of a brother of a friend, at the party where we first met, offhandedly mentioned wanting a new tattoo. Despite being only a small step removed from strangers at the time, I offered to design one for her, and she actually took me up on it!
The request: design a tattoo representing, but not having the literal appearance of, a phoenix. Include the symbol in this painting on the right, titled “Phoenix,” following the same color scheme (red, yellow, and green.) Add a pair of wings in the same style.
Adobe Illustrator is my program of choice here. Vector graphics make for quick, easy scaling and tweaking. That being said, this is a good time to explain how I work with digital media. In a nutshell: many, many, many iterations.
I love exploring a million subtle alterations in design, and taking a project in a variety of different directions. This is perfect for the computer, where duplicating an image is as easy as ctrl+c and I can compare each modification side-by-side in an instant. I’m also reluctant to quickly commit to any given change; I like leaving copies of old design iterations around to refer to later, so I end up with files that look like this:

Cluttered as it may be, it allows me to see my own design process, and I can return from a less successful design to a previous idea without any trouble.
After several meetings and many designs garnered from the process above, we settled on this as the final tattoo design:

Stay tuned for descriptions of the tattooing process and photos of the finished body art!